9 x 12 Oil on canvas board
Painted on location
Showing posts with label islands. Show all posts
Showing posts with label islands. Show all posts
Tuesday, March 17, 2015
Saturday, February 21, 2015
Friday, February 20, 2015
Friday, August 2, 2013
Monday, October 17, 2011
Sailing By - #101711
 |
| 9 x 12 Inches Oil on panel |
a bit windy but nice weather otherwise and about 2,000+ traffic between 10-4.
I made some new friends and enjoyed the reunion with old friends.
Saturday, July 10, 2010
Big Wood Island, Maine
10 x 10 inches Oil on canvas
This duel subject offered an interesting challenge in composition.
The foreground rock has intrigue to offset the mystery of the faraway island retreat.
I like the intimacy of the scale of this painting.
Beautiful view on Big Wood Island from West Point Beach.
Kids had a blast...
Tuesday, August 18, 2009
Heron Island
16 x 22 inches Oil on wood SOLD
This one took a nose dive as I was packing up
with a direct implant into the sand as sunrise complete.
I loved the painting and was so devastated,
I just let my spirit enjoy the fact that I did
the painting and had enjoyed the sunrise
listening to the tide go out.
The sparkles in the paint are an added benefit,
and really I just touched it up after it had dried,
so it was a good thing I didn't get too worked up.
It's taken me a while to consider "touching up"
on a plein air painting OK. Geez...
lighten up Candy.
Maybe there needs to be a
Certificate of Plein Air Authenticity,
where on the back of each painting done on
location ...there is a place to check off
what percentage was done in studio:
5 %, 10 %, 20%? If it was touched up
at all, even to straighten out the mast after it's
dry, then there you go... 5% in studio.
(I assume the mast is an important part
of the composition to figure 5%_!)
Without this certificate, one can hardly
trust it was done entirely on location.
Price hike for on location vs in studio?
Ah the pricing dialog. Later.
This one took a nose dive as I was packing up
with a direct implant into the sand as sunrise complete.
I loved the painting and was so devastated,
I just let my spirit enjoy the fact that I did
the painting and had enjoyed the sunrise
listening to the tide go out.
The sparkles in the paint are an added benefit,
and really I just touched it up after it had dried,
so it was a good thing I didn't get too worked up.
It's taken me a while to consider "touching up"
on a plein air painting OK. Geez...
lighten up Candy.
Maybe there needs to be a
Certificate of Plein Air Authenticity,
where on the back of each painting done on
location ...there is a place to check off
what percentage was done in studio:
5 %, 10 %, 20%? If it was touched up
at all, even to straighten out the mast after it's
dry, then there you go... 5% in studio.
(I assume the mast is an important part
of the composition to figure 5%_!)
Without this certificate, one can hardly
trust it was done entirely on location.
Price hike for on location vs in studio?
Ah the pricing dialog. Later.
Subscribe to:
Posts (Atom)
LinkWithin
